A Major Chord Progressions for Piano

A Major functions as the tonic — the harmonic "home" — in the key of A Major. Every progression below resolves back to A because it is the point of rest your ear expects after the tension of the dominant (E) or subdominant (D). This page covers I – IV – V – I, I – V – vi – IV, vi – IV – I – V, and more, with every chord linked to its own page.

A Major in Context

A Major also plays a role beyond its own key: it is the dominant (V) chord in the key of D Major, and the subdominant (IV) chord in the key of E Major. Its relative minor is F# Minor, which shares the same key signature and often substitutes for A in progressions like vi–IV–I–V.

The A Major scale is A, B, C#, D, E, F#, G#.

Common A Major Progressions

I – IV – V – I

Beginner-friendly

A classic cadence that moves from tonic to subdominant to dominant and back home. It is one of the strongest harmonic patterns in Western music.

I · TonicA MajorA – C# – E IV · SubdominantD MajorD – F# – A V · DominantE MajorE – G# – B I · TonicA MajorA – C# – E

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I – V – vi – IV

Beginner-friendly

One of the most common progressions in popular music. It combines tonic stability, dominant movement, relative minor emotion, and subdominant resolution.

I · TonicA MajorA – C# – E V · DominantE MajorE – G# – B vi · SubmediantF# MinorF# – A – C#IV · SubdominantD MajorD – F# – A

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vi – IV – I – V

Beginner-friendly

Often called the “axis” progression. Starting on the relative minor gives the line a more emotional, introspective feel before resolving toward the dominant.

vi · SubmediantF# MinorF# – A – C#IV · SubdominantD MajorD – F# – A I · TonicA MajorA – C# – E V · DominantE MajorE – G# – B

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ii – V – I

Next step

A foundational progression in jazz and many other styles. It creates strong movement back to the tonic chord through the supertonic and dominant.

ii · SupertonicB MinorB – D – F#V · DominantE MajorE – G# – B I · TonicA MajorA – C# – E

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I – vi – IV – V

Beginner-friendly

A timeless “50s” progression that balances major-key brightness with the warmth of the relative minor before moving through subdominant and dominant.

I · TonicA MajorA – C# – E vi · SubmediantF# MinorF# – A – C#IV · SubdominantD MajorD – F# – A V · DominantE MajorE – G# – B

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I – IV – vi – V

Beginner-friendly

A gentle pop progression that keeps the harmony diatonic while highlighting the contrast between major and relative minor chords.

I · TonicA MajorA – C# – E IV · SubdominantD MajorD – F# – A vi · SubmediantF# MinorF# – A – C#V · DominantE MajorE – G# – B

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12-Bar Blues

Next step

The backbone of blues, rock, and jazz. Twelve measures built from tonic, subdominant, and dominant chords create a repeating form you can solo over for hours.

Full 12-bar sequence: I – I – I – I – IV – IV – I – I – V – IV – I – V

I · TonicA MajorA – C# – E IV · SubdominantD MajorD – F# – A V · DominantE MajorE – G# – B

This triad form matches what Practice Mode and the Progression Trainer drill. Traditional 12-bar blues almost always plays all three chords as dominant sevenths instead of plain triads: A7, D7, E7.

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Continue learning

Practice A Major progressions

Drill these changes with a metronome and randomized prompts, or open the Progression Trainer for a guided run-through in A Major.