G Major Chord Progressions for Piano

G Major functions as the tonic — the harmonic "home" — in the key of G Major. Every progression below resolves back to G because it is the point of rest your ear expects after the tension of the dominant (D) or subdominant (C). This page covers I – IV – V – I, I – V – vi – IV, vi – IV – I – V, and more, with every chord linked to its own page.

G Major in Context

G Major also plays a role beyond its own key: it is the dominant (V) chord in the key of C Major, and the subdominant (IV) chord in the key of D Major. Its relative minor is E Minor, which shares the same key signature and often substitutes for G in progressions like vi–IV–I–V.

The G Major scale is G, A, B, C, D, E, F#.

Common G Major Progressions

I – IV – V – I

Beginner-friendly

A classic cadence that moves from tonic to subdominant to dominant and back home. It is one of the strongest harmonic patterns in Western music.

I · TonicG MajorG – B – D IV · SubdominantC MajorC – E – G V · DominantD MajorD – F# – A I · TonicG MajorG – B – D

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I – V – vi – IV

Beginner-friendly

One of the most common progressions in popular music. It combines tonic stability, dominant movement, relative minor emotion, and subdominant resolution.

I · TonicG MajorG – B – D V · DominantD MajorD – F# – A vi · SubmediantE MinorE – G – B IV · SubdominantC MajorC – E – G

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vi – IV – I – V

Beginner-friendly

Often called the “axis” progression. Starting on the relative minor gives the line a more emotional, introspective feel before resolving toward the dominant.

vi · SubmediantE MinorE – G – B IV · SubdominantC MajorC – E – G I · TonicG MajorG – B – D V · DominantD MajorD – F# – A

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ii – V – I

Next step

A foundational progression in jazz and many other styles. It creates strong movement back to the tonic chord through the supertonic and dominant.

ii · SupertonicA MinorA – C – E V · DominantD MajorD – F# – A I · TonicG MajorG – B – D

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I – vi – IV – V

Beginner-friendly

A timeless “50s” progression that balances major-key brightness with the warmth of the relative minor before moving through subdominant and dominant.

I · TonicG MajorG – B – D vi · SubmediantE MinorE – G – B IV · SubdominantC MajorC – E – G V · DominantD MajorD – F# – A

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I – IV – vi – V

Beginner-friendly

A gentle pop progression that keeps the harmony diatonic while highlighting the contrast between major and relative minor chords.

I · TonicG MajorG – B – D IV · SubdominantC MajorC – E – G vi · SubmediantE MinorE – G – B V · DominantD MajorD – F# – A

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12-Bar Blues

Next step

The backbone of blues, rock, and jazz. Twelve measures built from tonic, subdominant, and dominant chords create a repeating form you can solo over for hours.

Full 12-bar sequence: I – I – I – I – IV – IV – I – I – V – IV – I – V

I · TonicG MajorG – B – D IV · SubdominantC MajorC – E – G V · DominantD MajorD – F# – A

This triad form matches what Practice Mode and the Progression Trainer drill. Traditional 12-bar blues almost always plays all three chords as dominant sevenths instead of plain triads: G7, C7, D7.

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Continue learning

Practice G Major progressions

Drill these changes with a metronome and randomized prompts, or open the Progression Trainer for a guided run-through in G Major.